The Hidden Parts of the Mueller Report
When the Mueller Report was released to the public, Joel Eastwood, Dylan Moriarty, and I pumped out this one-day project looking the categorization of redactions. Of it all, I’m most proud of this solitaire-type animation, which is totally responsive!
Peakaboo Pullquotes
Some experiments for peak-a-boo pullquotes…
Open Flame is an amazing queer comedy open mic, and I was super excited to make their website. The thing that makes their event so special is the amount of community building that happens in the audience. I’m happy with the finished product, but there was nice sketches along the way. Might make them into my own personal projects soon!
Clockwise from top-left:
For Valentine’s Day, I wrote about how in love I am. It’s a text format I’m fiddling with: text that’s on display but reticent to let you in.
Mask and Reveal
I’ve been working on this component that tries to answer the question, “how do we dissect a photo?”
It’s had a few lives, but this one is my favorite: gave us handwritten annotations of her painting. We wanted to tell the reader what she had to say, and it was important that her hand was present.
Price of Climate
The Price of Climate is a series of articles that looks at the financial effects of climate change. It’s a sort of different take than we’re used to seeing. There’s no aerial shots of melting ice caps. The color scheme isn’t ocean blue.
Our design direction comes from ripping off The Weather Channel, which involved this sexy palette of nauseated highlighter colors:
Anyway, the above images are a bunch of components that spanned this multi-part series:
It’s been a decade since the 2008 Financial Crisis, but risk hasn’t disappeared — it has simply migrated elsewhere. I loved this collaboration with the amazing Jessica Kuronen and Gabriel Gianordoli to tell this expansive story in bite-sized factoids.
I have been practicing my trigonometry to reflect on what a topsy-turvy world this is!
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266 W 25 St is an open, artist-run space to be activated by a series of short-term projects. We choose not to brand nor give 266 W 25 St a defined mission—opting instead to allow participating artists to craft not only their projects but also the institutions that will surround their work. For every event or presentation held at 266 W 25th St, an institution is designed to best fit the content of the showing. These institutions will shift from one to another, perhaps smoothly, perhaps abruptly.
Research and Development
R&D is a website that is performed in front of an audience. The slideshow format is completed by a paranoid reading of a script. It is the story of an intern gone rogue.
Because of the performative nature of this piece, this website is available only to those who have the link. To request access, please email me at tyler clark paige at gmail dot com.
Brief excerpts: